anthrax state of euphoria review

If you don’t think this album is underrated and secretly great, you’re entitled to your opinion, but fuck you because you’re wrong. Benante’s kit is still fairly heavy on the high end, but there is just enough more punch to the bass and snare drum on here to properly unite with the bass and give this album the bottom end that many otherwise great thrash albums seem to come up short on. The album reached No. Just adequate fillers. Unfortunately, they released State of Euphoria. The catchy hooks in the chorus are so much fun to play along to or simply mosh to. After the mightily heavy, though generally unremarkable, Among the Living, Anthrax were in position to push their own boundaries and release something truly impressive. It isn't bad album, it's a mediocre one, but you just can't miss tracks like these mentioned below. Edit Release All Versions of this Release Review Changes . lastXhr = $.getJSON( "/bsearch.php", request, function( data, status, xhr ) { Tracklist: 1. Cet album fut enregistré en avril-juin 1988 dans les studios Quadradial de … All this pondering is moot point when one just shuts up and listens to any of the stellar Belladonna era albums though, and 1988's State of Euphoria is no exception. It is not at all mediocre, but it is not quite excellent either. It was those two tracks that got me interested in this album. Well, it took the band three albums, but they finally hit the nail on the head with 'State Of Euphoria'. response( cache[ term ] ); It is not nearly as great as its predecessor or the beast to come after it. The riffs seem to be heavier and feature more of a weighty crush to them this time around. Find helpful customer reviews and review ratings for State of Euphoria by Anthrax [1990] at Amazon.com. slotName: '/171684353/Sputnik_728x90', //example: '12345/leaderboard-1' Ska ska ska schism!' The rest of the songs, with the exception of the bland "Who Cares Wins" and the weird little "13", are all really good songs as well. I'd say they're actually the catchiest of the four, but it seems odd that a band whose main talent is hooky writing would be so relatively forgotten in the shadow of the other three behemoths. Although perhaps not as witty a polemic against the abomination of televangelism as Sabbath’s “T.V. I’ve never had a problem with the short joke “13” because it’s so short and “Antisocial” is way better than the original by French band Trust but most of the time I skip this song. Yes, it’s not quite as good as the ‘Thrax albums it’s sandwiched between, but outside of “Antisocial”, nothing on SOE generally gets much love or respect, which is a terrible, horrible, no good, very bad thing. { Unfortunately the quality and entertainment value is much lower than on those above mentioned albums. The music on this album is often called 'boring', but I think it's just the step down to simpler riffs & song structures that put a few people off. Account & Lists Account Returns & Orders. It is worth the effort. Listen to that chorus! $('#slidebox').show(); Joey Belladonna actually sounds very comfortable providing the vocals here. Edit Release All Versions of this Release Review Changes . Album Rating: 3.0 | Sound OffHopefully this one is better than my last one. this is better than i remembered. response( data ); googletag.cmd.push(function() { The riffs and changes are whip-smart, racing through memorable choruses and absurdist lyrics, but something has changed. Benante mixes it up between simple rock beats and intense double bass passages, complete with several fills thrown in like nobody's business, though not quite the fill-happy sound he would achieve on Persistence Of Time two years later. Frank Bello is one of my favorite bass players of all time, he is an absolute beast of bassist fusing the techniques of two of the greatest bass players of all time: heaviness of Geezer Butler and the fills and precision of Steve Harris. Je le trouve pour ma part un peu « bâclé », me demandant si ANTHRAX n’a pas voulu avec lui faire prolonger l’engouement dû au succès de l’album précédent (ce qui expliquait le titre ?). Some other killers here are "Finalé" and "Who Cares Wins" while there's the weaker "Misery Loves Company" and the totally unnecessary "13". I was actually shocked when I learned that it didnt get as much praise as their previous albums. lastXhr; AllMusic Review by Steve Huey The proper follow-up to Among the Living was somewhat disappointing in its inconsistency. At the time of this review, I've owned this album for over two years, and this is the first time I've heard the whole thing at once. }); In fact, throughout the whole album Belladonna and Spitz seem to have upped the ante in terms of quality, while Scott Ian’s riff ideas just come off as much more polished and powerful. it also features an amazing cartoon of notman and anthrax. ","-_"],e=0;5>e;e++){var f=c.concat(d[e].split(""));K[e]=f;for(var k=0;k>2;n=(n& Anthrax – For All Kings Review. This is probably my favorite album for Dan Spitz though, his soloing is actually really good here, it is not nearly as frenetic, but more melodic and I have to give him props for that. I appreciate they integrated more 'Indians' like social commentary in to their lyrics - a true sign of their punk roots - but the darker subjects covered here seem to detract from their ability to create pleasing music. Originally submitted to (www.metal-observer.com) on November 13, 2008. Other highlights were "Be All, End All" with its haunting cello intro and "Make Me Laugh." So what's my last comments about "State Of Euphoria". The band members seem to have been stuck in a rut on State of Euphoria in terms of the songwriting. He is one of my favorite thrash drummers for sure. But 'Schism', for example, doesn't even have a chorus...?!